Based on the characters created by Robert Ludlum, the film is written by Greengrass and Christopher Rouse. Frank Marshall again produces alongside Jeffrey Weiner for Captivate Entertainment, and Greengrass, Damon, Gregory Goodman and Ben Smith also produce. For Jason Bourne, Damon is joined by Alicia Vikander, Vincent Cassel and Tommy Lee Jones, while Julia Stiles reprises her role in the series. Paul Greengrass, the director of The Bourne Supremacy and The Bourne Ultimatum, once again joins Damon for the next chapter of Universal Pictures' Bourne franchise, which finds the CIA's most lethal former operative drawn out of the shadows. Matt Damon returns to his most iconic role in Jason Bourne.
John Powell & David Buckley's score available on 07/29/16īack Lot Music will release John Powell and David Buckley's score to Jason Bourne on July 29th 2016. Fans wouldn’t want Purvis and Wade to be too distracted, after all, if and when they begin work on the script for the No Time To Die follow-up. Other Bond music, like the descending, repetitive theme or pantheon of intro songs, are almost too iconic, too earwormy, to inspire focused writing sessions. The Bourne music surely creates an espionage-friendly atmosphere without reminding the Bond writers about the weight of their own franchise. Still, it’s understandable that the duo would want some distance from their former Bond scripts, at least while penning the next one, despite excellent scores from David Arnold, Thomas Newman, and Hans Zimmer. It is more than likely that Purvis and Wade are acutely aware of the Bond/Bourne divide. When a new Bond appeared in 2006, he had more in common with the brutal, paranoid Jason Bourne than Brosnan’s flirty Bond. One could argue, however, that Bourne helped revive Bond, whose ‘90s films became increasingly campy and maligned.
Npr jason bourne soundtrack series#
In the mid-2000s, the Bourne series was on the cusp of overtaking Bond as the world’s leading spy series. But it also highlights the prickly relationship between the competing spy franchises. On the one hand, it’s an innocent-flattering, even-gesture to John Powell’s impressive espionage score.
”įans are sure to scrutinize the Bond writers’ choice of background music. “ said: ‘Don’t give up your day job ,’” adds Purvis. The writers also offer an anecdote on their own musical proclivities, detailing how they once performed their original James Bond theme (they penned it as students in the late ‘70s) to Bond producer Michael G. “ We listen to the Bourne music quite a lot when we’re writing ,” says Purvis. Now, in an interview with The Guardian, Purvis and Wade admit that the Bourne music often provides a soundtrack to their Bond writing schedule. Related: James Bond Still Needs to Steal One Thing From Jason Bourne The most recent, Jason Bourne, came out in 2016 as a direct sequel to The Bourne Ultimatum (2007). The franchise includes five theatrical films, four of which star Damon, and one short-lived spin-off prequel series. The film series follows amnesiac CIA operative Jason Bourne, played by Matt Damon, as he carries out efficient assassinations and tries to uncover his mysterious past.
The Bourne franchise began around the same time as the beginning of Purvis and Wade’s Bond tenure, with The Bourne Identity debuting in 2002. Their partnership oversaw the transference of Bonds from Pierce Brosnan to the then-controversial casting of Daniel Craig.
The pair would go on to pen seven Bond scripts, stretching from 1999’s The World Is Not Enough to this year’s No Time To Die. Bond producer Barbara Broccoli first hired Purvis and Wade based on the strength of their 1999 script for Plunkett & Macleane. James Bond screenwriters, Neal Purvis and Robert Wade, who most recently collaborated on the No Time To Die script, admit that they frequently listen to the music from the Bourne franchise while they’re writing.
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